Afro Uruguay: Candombe
Aurora - A Brief History
The history of Uruguay and Afro Uruguayans is rooted in Candombe music and dance. This unique culture has survived, excelled and brought national unity, cultural pride and movement toward unprecedented national equality.
- The salas established headquarters for religious observances, meetings, and dances. They collected money for emancipation funds to buy the freedom of slave members, lobbied public officials, and assisted in disputes between slaves and slave owners.
- Large numbers of free/slave Africans and Afro-Uruguayans served in Uruguay's wars for independence. That service was rewarded first by laws leading to the abolition of slavery in 1842 and ultimately to the full civic and legal equality guaranteed by the Constitution.
- In fact, the application of equal rights to all, written in 1832, was initially denied Afro Uruguayans with discrimination and prejudice. Afro-Uruguayans responded with the most active black press per capita in Latin America as Uruguay established one of the most successful economies in South America.
- With educational reforms, Uruguay also achieved the highest literacy, lowest birth rates and lowest death rates. In these circumstances, Afro Uruguayans were much more literate than counterparts in other nations, a condition which should have provided the conditions for black upward mobility; but prejudice and discrimination were ongoing obstructions as late as 1980.
In the 1980s and 1990s, continuing the historical traditions of the salsas de nacion, for several decades organizations such as Triangulacion Kultural, Mundo Afro (Afro World), the Asociacion Cultural y Social Uruguay Negro, and the Centro Cultural por la Paz y la Integracion, Africania called for the nation to acknowledge their African origins and history in Uruguay, as well as to effect the full integration of black and indigenous minorities into all aspects of Uruguay.
Sources:
- Candombe drums: the tambores de candombe or tamboriles are drums used in the playing of Candombe music of Uruguay. They are single skin headed and there are three sizes: piano (bass) repique (tenor range), and the chico (alto range). The drums are made of wood and have a curved barrel shape with its base very narrow.
- Candombe Dance, Music and Instrumentation that Uruguay now calls its own, has Central African origins. Derived from the Central African word "ndombe" (black) and "ka" (things having to do with), candombe reflects things having to do with African people. The music, dance and the places where people express their joy, and the drums used to make the music, are candombe.
Aurora©2003*
Africa, Up and Down America, Asia, Antarctica, Australia; Indian, Pacific,
the Atlantic All that land and ocean,
We only have one world.
We are all the colors of the rainbow; if not united, just a bunch of lines
When we come together, we let our light shine.
We are the Aurora, Aurora of our time. *
by Suzanne Brooks & Reggie Graham
The theme and theme song of WomenWorldCulture--Aurora-- highlight the movement from division based on a negative emphasis on difference to unity founded in our common humanity defined by DNA and diversity refined by cultures and environments. The Aurora Blog of WomenWorldCulture will encourage constructive and civil exchanges of ideas; stimulate ideas and suggestions for unique and positive programs and services; and provide recommendations and support for education, research and documentation addressing social issues and problems, reciprocal communication and inspiration, sharing and leadership through the arts. The success of this blog will be rooted in mutual caring for each other, with the willingness to learn from each other. Honor and dignity will be the rule. The blog is published with the same media rules, requirements and guidelines required for advertisers on this site. Readers can refer to that section for additional information.
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Title 9, most powerful law against sex discrimination in education and educational institutions, is nearly ended.
With the following steps, Title 9 is nearly gone: Secretary of Education Betsy DeVos is rescinding the advances made to protect women employees and students. The DeVos actions include an interim guide which "differs from the 2011 Dear Colleague letter in several key ways. Perhaps most notably, it rescinds the requirement that schools use a “preponderance of evidence” standard to adjudicate sexual assault cases, and instead allows schools to use a “clear and convincing” evidence standard, which puts a greater burden on accusers. This is a change that critics of the 2011 guidelines have been requesting for some time, and one many advocates say is unfair to survivors.
The interim guide also allows schools to deny survivors the ability to appeal, and lifts the time limit for completing an investigation. Without a time limit, investigations might drag on for years, as they sometimes did before the 2011 guidelines were in place, Peterson said. In some cases, she said, survivors dropped out of school because their investigations went on for so long.
Unanswered Letters Blog